Cotswolds Medieval Manor House
The clients of this vast project saw it as a privilege to restore and preserve this cherished historic building, and it's been an honour to help them achieve it
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
The clients of this vast project saw it as a privilege to restore and preserve this cherished historic building, and it's been an honour to help them achieve it
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
The clients of this vast project saw it as a privilege to restore and preserve this cherished historic building, and it's been an honour to help them achieve it
The clients of this vast project saw it as a privilege to restore and preserve this cherished historic building, and it's been an honour to help them achieve it
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
Mentioned in the Doomsday Book, the oldest parts of this building date from around 1086 with the majority of the existing structure built around 1420 by Sir John Blaket, ‘Hero of Agincourt’. Having survived near dereliction, partial demolition and many alterations over the centuries, the current owners were dedicated to sensitively restoring it.
Historic England have acknowledged that the restoration works have being carried out to an exemplary standard using informed conservation techniques, skill and materials
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Historic England have acknowledged that the restoration works have being carried out to an exemplary standard using informed conservation techniques, skill and materials
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Historic England have acknowledged that the restoration works have being carried out to an exemplary standard using informed conservation techniques, skill and materials
Historic England have acknowledged that the restoration works have being carried out to an exemplary standard using informed conservation techniques, skill and materials
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
Jack Badger worked alongside the clients, contractors, architects and other specialists; collaborating as needed with all stakeholders to ensure our work was historically accurate and in keeping with other elements of the restoration.
Our work on the project spans four years, with almost 50 separate architectural joinery elements delivered during this time.
We designed, made and fitted the internal and external doors, panelling, flooring, cupboards, beams and kitchen furniture; all of which were hand crafted using traditional joinery techniques, helping to keep the finish true to the original property and brief.
On such an extensive project, with so many stakeholders, being able to work collaboratively to navigate the design process was key to the success of the project
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
On such an extensive project, with so many stakeholders, being able to work collaboratively to navigate the design process was key to the success of the project
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
On such an extensive project, with so many stakeholders, being able to work collaboratively to navigate the design process was key to the success of the project
On such an extensive project, with so many stakeholders, being able to work collaboratively to navigate the design process was key to the success of the project
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
Being introduced mid-way through the project and without a prior relationship with the architects, contractors, consultants or clients, we built a sense of trust with the team. We nailed the brief on our first piece of work and that continued as the project went on.
We earned artistic licence over time by presenting back ideas that were tangible and easy to interpret, as well as completely authentic. We took the time to get a deep understanding of the clients' vision and through sharing their passion for this historic building, turned their vision into a precise reality.
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
"Their approach made navigating some of the trickier design decisions much easier."
Client, Cotswold Medieval Manor House
